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“But Mina Ellen was not going to be just an ordinary child-she was going to be different. Loving someone has always been easy for me, and I knew that it would require no extraordinary feat to love my child. I have heard people refer to their children as possessions and I deigned to understand, although in a sophomoric way, what they meant. “A daughter had been born to me and as she grew God began to open His box of surprises.
Maria Linda then resigned from her media work and focused on taking care of Mina Ellen. In 1994, their daughter Mina Ellen was born and was diagnosed later as autistic. “When I moved to Japan to take up my master’s degree in international relations, I realized how wrongly I had arrogated unto myself God’s hold on the pieces that were to define my life.” Then life took another turn after her husband, Keiji Hanihara, an executive of Sumitomo Steel, was assigned to the United States. She was awarded an Accomplishment of Merit for the outstanding literary piece “Flowers” in the book, Inspirations in Ink.Īfter a brief stint at the Bureau of Internal Revenue and the Office of the Solicitor General, she worked for The Japan Times, a major English daily, as a writer and International Desk and People Page editor. Notably, her poems were published in the October 1983 Edition of Caracoa III, the poetry journal of the Philippines Literary Arts Council. She contributed poems and short stories to several magazines and to her surprise, she won a poetry award from one of them. She attended both the UP Summer Writers Workshop and the Siliman University Writers Workshop in the late 70s.
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in International Relations, major in International Politics, from the University of Japan. She finished her Bachelor of Arts, major in English as cum laude and Bachelor of Laws at the University of the Philippines in Diliman. She received a Focus Literary award as a student. At that time, my seniors were the editors of The Collegian and they asked me to contribute articles,” says Maria Linda. I would write even on the white pages of our law books as my inspiration seemed to overflow. A classmate, who would go on to distinguish himself in the legal profession, was my pen friend and we would exchange notes and writings. “I was immersed in my study, but I allowed myself to be distracted by composing poems even in the classroom. In UP College of Law, writing was like a mistress she attempted to hide and undermined what a friend of hers called her “gift.” For her, “writing was more like a hobby, the pursuit of which subsided when other fields beckoned.” There were periods of drought alternated with an inundation of creative output. (Previous page) Art pieces from Mina Ellen Hanihara’s past exhibits. Mina Ellen’s artworks are featured in her mom’s poetry book.